Tuesday, November 30, 2010
Sunday, November 28, 2010
How two directors turned an old fairy tale into ‘Tangled’ - KansasCity.com

An animated Disney fairy tale.
No pressure there!
Add to that the fact that it would be the Mouse House’s 50th animated feature, and you can see why the people behind the just-released “Tangled” had their work cut out for them.
“It was a huge challenge,” co-director Nathan Greno said. “There’s an expectation from the audience when Disney brings a classic story to life. There’s an expectation of what a Disney film is.
“At the same time, as a filmmaker you don’t just want to keep going back to the same well. We love the Disney legacy, but we didn’t want to rehash what had been done before.
“So we were constantly looking for a balance, asking ourselves just what was so great about classic Disney? And how do we reinvent it?”
Greno and co-director Byron Howard found their answer in a hip, modern approach to the Brothers Grimm story of Rapunzel, the long-haired princess imprisoned in a tall tower. The audience experiences the heroine’s story through the eyes of Flynn Rider, a cocky, wisecracking thief who is something of an anti-hero … a Han Solo, if you will.
“We knew we’d need to open with a prologue that provided Rapunzel’s back story,” Howard said. “The audience had to know how she came to be living in this tower with a woman she thought was her mother.
“Originally we used a woman’s voice, an older voice, but it wasn’t working. That’s where Flynn’s voice came in. If all this important back story wasn’t to put everyone to sleep, we needed a narrator who could entertain us. And Flynn’s tongue-in-cheek approach worked.”
It also dovetailed nicely with Disney’s determination that this not be a girly movie. Last year’s “The Princess and the Frog” underperformed, partly because male moviegoers thought it was only for girls, so the studio changed the title of “Rapunzel” to “Tangled” and emphasized Flynn Rider in the marketing.
“But we never wanted a cynical movie,” Greno said. “At its heart we wanted an emotionally honest story. So we worked the plot really hard. We’d push it a bit too far and it would get too contemporary, then we’d have to pull it back. If it got too earnest, we’d have to lighten up.
“In storyboard version we screened it six or seven times at various stages, and we insisted that people who saw it be brutal in their comments. We ripped it apart several times, and a lot was left along the way.”
But what was left sparkled.
One show-stopping scene finds Flynn taking Rapunzel to a woodland tavern frequented by the scuzziest thugs imaginable.
“We thought, ‘Well, what if it’s kind of a biker bar?’ ” Howard said. “We sent someone out to do research, and he found that many biker bars across the country have a poetry night. The bikers will come in, and like cowboy poets they’ll read aloud what they’ve written about their bikes, their feelings, about being lost, about the loneliness of the road.
“So that was what we kept in mind. This tavern is full of scary-looking guys who seem to be vicious murderers but actually sing about getting in touch with their tender side.”
“Tangled” has five new songs by Disney veteran Alan Menken (“Beauty and the Beast,” “Aladdin”), but Howard and Greno said they didn’t want the film to be a musical per se.
“We didn’t want to make a big Broadway type show,” Howard said. “Our models were the older Disney movies that were more of a movie with music than a movie musical. Look at ‘The Jungle Book.’ People don’t describe it as a musical, but the few songs that are in it are very important.
“We wanted to use music as a way to get inside the characters’ heads without lots of dialogue. We didn’t want any gratuitous singing. … Each song had to move the story along.”
Another source of inspiration was the directors’ shared love of cinema history. They patterned Rapunzel’s adopted mother after screen divas like Gloria Swanson and Joan Crawford. They insisted that animal characters be, in effect, silent film stars like Charlie Chaplin who expressed themselves solely through expression and movement. In doing so they created a big brute of a horse, Maximus, who has as much personality as any talking/singing character.
“The animators loved bringing Maximus to life,” Greno said. “Without a voice, it’s all about acting and movement. Going in, we didn’t realize what a standout Maximus would be.
“Our head of story, Mark Kennedy, originally drew Maximus sniffing the ground like a bloodhound. It was so different from what we’ve seen horses do in the past that the animators ran with it. Once those scenes starting coming in with Maximus exhibiting doglike behavior, the more charming he became.
“Now it’s almost universal that people come out of ‘Tangled’ and declare Max is their favorite character.”
Howard and Greno already have pitched an idea for their next film to Disney animation chief John Lasseter.
“We’re still figuring out that world, so we can’t say much at this point,” Greno said. “But it will have many of the same elements as ‘Tangled’: big action, hilarious characters, big emotion. We like making the audience cry. There’s no formula to making a good movie, but those are the things that keep audiences entertained.”
Read more: http://www.kansascity.com/2010/11/27/2470165/how-two-directors-turned-an-old.html#ixzz16bBPVzsi
Friday, November 26, 2010
Saturday, November 20, 2010
Must Watch: First Official Trailer for Duncan Jones' 'Source Code'!
Thursday, November 11, 2010
OK Go Partners With Samsung On Animated Video 'Last Leaf'
Last Leaf
OK Go | Myspace Music Videos
Wednesday, November 10, 2010
First Promo of New Animated Series 'Bob's Burgers'
Bob has big ideas about burgers, condiments and sides, but only a few thoughts on customer service and business management. Despite his greasy counters, lousy location and occasionally spotty service, Bob is convinced his burgers speak for themselves. Even though business is slow, Bob gets to work with his family.
The animated series would not only circle the family but the neighborhood as well. Right next door to Bob's is It's Your Funeral Home and Crematorium; down the street is Wonder Wharf, the oceanside amusement pier; and a few blocks away is Wagstaff Middle School, where Bob and Linda's kids go to school. And across the street is Jimmy Pesto's Pizzeria, Bob's Burgers' main competition and the thorn in Bob's side.
"Bob's Burgers" will premiere in January 2011. A so-called "exclusive sampler" would be played during "The Simpsons Movie" on November 25 at 8/7c. Back in October, FOX had a good inkling about the show that it ordered six additional scripts on top of the initial 13 episodes. Should it get a second season, then the show will keep going on production and premiere the new season in Fall.
Monday, November 8, 2010
The Adventures of Tintin: The Secret of the Unicorn movie photos
The Adventures of Tintin: The Secret of the Unicorn movie photos assures of a fine animation soThe Adventures of Tintin: The Secret of the Unicorn movie photos promises that venture undertaken by renowned and acclaimed movie maker Steven Spielberg will be an amusing sight to eyes of audience comprising of kids and adults. Latest previews allows audience to harbor safe hopes of a wonderfully realized animation flick since they have come out demonstrating the visual style of forthcoming motion picture which appears to be quite impressive.
The Adventures of Tintin: The Secret of the Unicorn movie will chronicle action mystery and adventure packed experiences of young reporter Tintin whose interest to cover a happening story always lands him in dangerous situations. This time together with some his friends they venture out in search of a long lost family treasure of Captain Haddock. Treasure hunt takes the group into remote islands and deepest centre of sea and as usual danger lurks in every location.
With Jamie Bell in lead role as Tintin The Adventures of Tintin: The Secret of the Unicorn moviewill also feature Simon Pegg, Daniel Craig and Cary Elwes among many others who are sure to make this full digital 3D venture to be a highly entertaining experience to be enjoyed by kids and adults alike. Coming from one of the greatest movie makers in industry today rest assured that a once in a lifetime animation is most likely to greet audience.
Kung Fu Panda 2 - The Kaboom of Doom Teaser Trailer 2011
Release Date:
26 May 2011 (USA)Monday, November 1, 2010
Simon's Cat 'Cat Man Do'
Simon's Cat ' Hot Spot'
Simon's Cat 'Fly Guy'
Simon's Cat 'TV Dinner'
Dead dino walking
Nature museum animator cracks secret to how horned dinosaurs moved
It took him more than two years, but an animator from the Museum of Nature has helped crack the mystery of how horned dinosaurs, such as the Triceratops and Torosaurus, walked.
His work, which has been lauded by paleontologists from around the globe, has won an award from National Geographic and the Society of Vertebrate Paleontology.
"To the common person, it's like 'cool, but so what?'" said Alex Tirabasso, a visual storyteller with the museum's Arius 3D Imaging Centre. "But, for paleontologists these are huge questions. It has huge implications in their research."
For his 30-second video showing a true-to-life scientific animation of the dinosaur Chasmosaurus irvinensis walking, Tirabasso, 34, received the National Geographic Digital Modeling and Animation Award Oct. 13 at the annual meeting of the Society of Vertebrate Paleontology in Pittsburgh. The dinosaur was identified as a new species by researchers at the Museum of Nature in the 1990s and has been a centrepiece of its popular fossil gallery ever since.
To make the animation, Tirabasso said he spent more than two years performing 3-D scans of more than 25 bones from the dinosaur's forelimb in order to create digital models that could be used in a computer program to reassemble the dinosaur's skeleton.
After that, Tirabasso was able to make the video showing the dinosaur's most efficient walking posture.
"For the first time, we were able to merge scan data for ceratopsian (Chasmosaurus) limb bones with modern animation techniques," he said.
Tirabasso's research helped museum research associate Rob Holmes resolve an ongoing question about the gait of the dinosaur.
"The researchers hypothesized that it might have either a pillar-like stance similar to an elephant, or a sprawling, squat-like stance like a lizard,'' said the museum in a news release.
"Without the 3-D animation, their ability to answer this question was limited to drawings and physical study of the bones that make up the dinosaur's hand and limb.''
The animation showed the most efficient walking posture to be an intermediate form, somewhere between the two.
The animation also revealed how the bones would move in relation to each other.
Tirabasso, who graduated from Sheridan College's animation program and has been making animations for the the museum for more than eight years, said paleontologists previously manually held skeletons together with rope and wire in order to guesstimate how the creatures moved.
Modeling used in movies such as Walking With Dinosaurs or Jurassic Park is designed more for cinematic flair than scientific accuracy, he said.
The digital modelling is far more accurate than previous methods used.



